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Home > Articles & Resources > Navajo Rug & Blanket Weavers > Navajo Weavers page 2 - The Blanket / Rug Loom

Navajo Weavers page 2 - The Blanket / Rug Loom

Navajo Weavers page 2 - The Blanket / Rug Loom

The ordinary blanket looms. Two posts are set firmly in the ground; to these are lashed two cross-pieces or braces the whole forming the frame of the loom. Sometimes two slender trees, growing at a convenient distance from one another, are made to answer for the posts is a horizontal pole, which I call the supplementary yarn-beam, attached to the upper brace by means of a rope spirally applied. As it is analogous to the yarn-beam of our looms, I will call it by this name, although once only have I seen the warp wound around it. It lies parallel to the pole d, about 2 or 3 inches below it, and is attached to the latter by a number of loops. A spiral cord wound around the yarn-beam holds the upper border cord h h, which, in turn, secures the upper end of the warp.

The lower beam of the loom is shown at k. I will call this the cloth-beam, although the finished web is never wound around it; it is tied firmly to the lower brace of the frame, and to it is secured the lower border cord of the blanket. The original distance between the two beams is the length of the blanket. Lying between the threads of the warp is depicted a broad, thin, oaken stick, l, which I will call the batten. A set of healds attached to a heald-rod, m, are shown above the batten. These healds are made of cord or yarn; they include alternate threads of the warp, and serve when drawn forward to open the lower shed. The upper shed is kept patent by a stout rod, n (having no healds attached), which I name the shed-rod. Their substitute for the reed of our looms is a wooden fork, which will be designated as the reed-fork.

For convenience of description, I am obliged to use the word "shuttle," although, strictly speaking, the Navajo has no shuttle. If the figure to be woven is a long stripe, or one where the weft must be passed through 6 inches or more of the shed at one time, the yarn is wound on a slender twig or splinter, or shoved through on the end of such a piece of wood; but where the pattern is intricate, and the weft passes at each turn through only a few inches of the shed, the yarn is wound into small skeins or balls and shoved through with the finger.

The warp is thus constructed: A frame of four sticks is made, not unlike the frame of the loom, but lying on or near the ground, instead of standing erect. The two sticks forming the sides of the frame are rough saplings or rails; the two forming the top and bottom are smooth rounded poles—often the poles which afterwards serve as the beams of the loom; these are placed parallel to one another, their distance apart depending on the length of the projected blanket.

On these poles the warp is laid in a continuous string. It is first firmly tied to one of the poles, which I will call No. 1 (Fig. 43); then it is passed over the other pole, No. 2, brought back under No. 2 and over No. 1, forward again under No. 1 and over No. 2, and so on to the end. Thus the first, third, fifth, &c., turns of the cord cross in the middle the second, fourth, sixth, &c., forming a series of elongated figures 8, as shown and making, in the very beginning of the process, the two sheds, which are kept distinct throughout the whole work.

When sufficient string has been laid the end is tied to pole No. 2, and a rod is placed in each shed to keep it open, the rods being afterwards tied together at the ends to prevent them from falling out. This done, the weaver takes three strings (which are afterwards twilled into one, as will appear) and ties them together at one end. She now sits outside one of the poles, looking towards the centre of the frame, and proceeds thus: (1) She secures the triple cord to the pole immediately to the left of the warp; (2) then she takes one of the threads (or strands as they now become) and passes it under the first turn of the warp; (3) next she takes a second strand, and twilling it once or oftener with the other strands, includes with it the second bend of the warp; (4) this done, she takes the third strand and, twilling it as before, passes it under the third bend of the warp, and thus she goes on until the entire warp in one place is secured between the strands of the cord; (5) then she pulls the string to its fullest extent, and in doing so separates the threads of the warp from one another; (6) a similar three stranded cord is applied to the other end of the warp, along the outside of the other pole.

At this stage of the work these stout cords lie along the outer surfaces of the poles, parallel with the axes of the latter, but when the warp is taken off the poles and applied to the beams of the loom by the spiral thread, as above described, and as depicted, and all is ready for weaving, the cords appear on the inner sides of the beams, at the lower side of the yarn-beam, the other at the upper side of the cloth-beam, and when the blanket is finished they form the stout end margins of the web. In the coarser grade of blankets the cords are removed and the ends of the warp tied in pairs and made to form a fringe.

When the warp is transferred to the loom the rod which was placed in the upper shed remains there, or another rod, straighter and smoother, [Pg 380]is substituted for it; but with the lower shed, healds are applied to the anterior threads and the rod is withdrawn.

The mode of applying the healds is simple: (1) the weaver sits facing the loom in the position for weaving; (2) she lays at the right (her right) side of the loom a ball of string which she knows contains more than sufficient material to make the healds; (3) she takes the end of this string and passes it to the left through the shed, leaving the ball in its original position; (4) she ties a loop at the end of the string large enough to admit the heald-rod; (5) she holds horizontally in her left hand a straightish slender rod, which is to become the heald-rod—its right extremity touching the left edge of the warp—and passes the rod through the loop until the point of the stick is even with the third (second anterior from the left) thread of the warp; (6) she puts her finger through the space between the first and third threads and draws out a fold of the heald-string; (7) she twists this once around, so as to form a loop, and pushes the point of the heald-rod on to the right through this loop; (8) she puts her finger into the next space and forms another loop; (9) and so on she continues to advance her rod and form her loops from left to right until each of the anterior (alternate) warp-threads of the lower shed is included in a loop of the heald; (10) when the last loop is made she ties the string firmly to the rod near its right end. When the weaving is nearly done and it becomes necessary to remove the healds, the rod is drawn out of the loops, a slight pull is made at the thread, the loops fall in an instant, and the straightened string is drawn out of the shed. Copyright Mission Del Rey



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    Mission Del Rey is preserving the Tarahumara Indians , North America's most primitive people through the development of traditional skills. Products are imported to the USA, not produced by Native Americans except where noted. (learn more) Rustic lamps and shades rawhide lampshades and Indian drums, rugs, pottery and dough bowls are great accents for rustic southwest decor, western country cabin or lodge style.
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